Pencil Me In
Charles Peek
On one of the walls of our home there hangs a pencil collection. I haven’t touched it for years—except to rehang it place to place as we shuffled rooms around or fixed them up in this old (1915) house of ours. But once, the pencil collection was my principal preoccupation. Well, that and a post-card collection, a rock collection, a collection of coins, and a collection of arrow heads that somewhere disappeared from among our sacred possessions. Dad was surprised to find the rock collection in McCook after we’d moved there, when he had told me in Salida, “That is not going with us.”
When I set about the pencil collection, I didn’t know much about pencils, and outside of the sort of odd facts you pick up now and then just in passing, I still don’t know much. I do know, of course, that the designation “lead” pencil is misleading. First, the material is graphite (on some occasions mixed with clay), not lead. So, no lead in lead pencils even though the word for pencil in many language means “lead pen.” I didn’t know until recently that Henry David Thoreau’s father was a figure in the American adoption and manufacture of pencils. I wonder if like Nabokov, Thoreau used mostly pencil.
If you see an old WWII movie set in London, you will most likely see someone sharpening a pencil with a pen knife. The rotary sharpeners were forbidden because they wasted to much wood and graphite.
But not so fast, Charlie. Lots of people did get lead poisoning from pencils. True, but the lead was not in the core that made the marks…the lead was in the yellow paint that coated the red cedar that held the graphite core, the surface on which we not only chewed but delighted in comparing teeth marks.
I doubt the wood is red cedar any longer, and I don’t suppose the paint coating has lead in it now, but then I don’t have to worry much about that. Not chewing our pencils was drilled–keep that word in mind for a moment–drilled into us pretty hard, and the plastic mechanical pencils I use these days don’t feature a painted surface.
My pencils now are cheap versions of the very good mechanical pencils some of my room mates who were engineering students had to purchase for their mechanical drawing classes. My last regular use of the yellow painted pencils occurred when every fill-in-the-blank test required a “#2 pencil” and included the warning not to use ink lest you would never get the scholarship, pass the test, be admitted to law school, have your work scored, or have any hope of heaven.
As I recall, the origin of pencils is somewhat obscure. Different sources credit the origin of the pencil not just to different dates but to different centuries. To some degree, I suppose, this depends on one’s definition of a pencil. Defining what pencil meant was the furthest thing from my mind when I began collecting them.
Truth be told, back then pencils, like postcards, came into my possession because they were cheap and almost every business, organization, or tourist attraction had its own pencil. I was an only child, which probably explains why, for years, I went almost everywhere my parents went. And wherever we went, we bought a pencil for my collection. Sometimes we’d buy two, one from my allowance, one from my folks.
I must have like them a lot to make more beds, wash more dishes, shine more shoes, mow more lawns to buy them. And they still remind me of places we went, shops where some unusual name or shape caught my eye.
Still, my affection for the pencil collection stemmed not from any emotional attachment to pencils—the best part of which, the eraser, was added centuries after the rest of the apparatus—but to the board on which the pencils were displayed.
I was probably only eight or so when my dad took me to a lumber yard where we picked out a suitable board and some varnish, then to a Woolworth’s where we bought some elastic cord. I already had a wood burning set, and I had nearly forgotten the smell of wood burning until this past month when people helping us refinish a kitchen were cutting into its old wood to mount cabinets and lay floor. The burning smell the circular saw blade created is what recalled for me mounting the pencils. My folks must have had the mounting board in mind when they got me the wood burner not long before.
Principally, however, mounting the pencils meant drilling holes at intervals that would accommodate pencils of different widths and lengths, and hold them in place in the loops of elastic cord that threaded through the holes like lacing up shoes. The measuring for this was pretty heady stuff for a little kid, and it is pretty obvious looking at it today that a little kid did it. But I was nothing but proud of it when I had finished. Proud despite a serious moment of chagrin.
The incident that left its mark on the experience involved the drilling. Dad had a little drill driven by turning a wheel. He taught me how to insert the bit and tighten it down, how to steady the drill while turning the wheel, and above all he stressed the necessity of keeping the drill straight up and down—otherwise, you risked breaking off the bit in the hole. Clean in and clean out, always kept at whatever angle you were drilling.
I think it was drilling my first hole, drilling perpendicular to the board, when I broke my first bit. There are moments of “what’s wrong with you” that only a child knows! I dreaded having to wait until my dad came home to tell him, show him the broken bit, and possibly ask his advice—about how to extract the broken part of the bit still stuck in the board.
Dad was not known for calm, but in this instance, he simply looked at it and said, well, you have to learn from experience. “Maybe now you see better what I was trying to tell you,” was how I recall him putting it. And adding that I’d remember that lesson best if we took the price of a new bit out of my allowance.
He must have been right because I have never forgotten the lesson. And I never look at the board without remembering it. And I suspect it is that lesson which explains my keeping the collection all these years. It’s less a pencil collection than a collection of memories, a connection to my growing up—at least as the collection recalls it.
Kearney, Nebraska
February 22, 2017